‘Spring’ comes alive at an exhibit in 27,000 interlocking wooden pieces

Above: Students are eager to learn in Zhou Wenxiang’s joinery courses at the Shanghai Citizen Art Night School. — Photos by Liu Yijian

Left: Zhou’s artwork, “Spring is Here,” measures 1.4 by 2.1 meters and presents a miniature world of spring. Inset: The colors of the window lattice represent the natural hues of various woods.

Zhou Wenxiang is at work. Precision is crucial in sunmao craftsmanship.

Liu Yijian and Yang Di

Zhou Wenxiang, a dedicated advocate of traditional Chi-nese craftsmanship known as sunmao (mortise and tenon structure), has crafted a stun-ning window lattice titled “Spring is Here.” This artwork will be showcased in Anting Town during this year’s Shanghai Citizens Art Festival, offer-ing the public a rare opportunity to experience the extraordinary charm of sunmao handicraft up close.

The mortise and tenon joint is a major traditional method of con-necting wooden components in China, renowned for its strength and precision.

The mortise and tenon respectively refer to the protruding and recessed parts at the joints of traditional wooden furniture and architecture, which are mainly used to connect two 27,000 separate joinery components. components. By joining the mortise It took Zhou over 300 hours to and tenon, pieces of wood can be con- complete, and the intricate work pres- nected to form sturdy joints, without ents a miniature world of spring that the need for nails or glue. vividly depicts the earth, blooming

Currently, Zhou’s masterpiece, flowers and four lively butterflies.“Spring is Here,” is on display at Surprisingly, the window lattice’s Muzhi Mujue Studio on Minfeng brilliant hues are not painted; in- Road. Reminiscent of a vibrant paint- stead, they emerge organically froming, it measures 1.4 by 2.1 meters and various woods, including mulberry, astonishes visitors with its incredibJlaep anese cypress, golden phoebe and craftsmanship, incorporating nearly green phoebe, each contributing its own characteristic color.

Zhou used sunmao techniques such as three-wood cross joints, clip joints, and intersecting straight joints, as well as geometric triangle concepts, to create various patterns. Nearly 4,000 parts make up each butterfly, and the total length of all the wooden pieces attached end to end is about 1,000 meters.

According to Zhou, sunmao is the soul of traditional Chinese architecture and furniture, carry-ing thousands of years of cultural heritage. With this piece, he wants to show the limitless possibilities of the craft and let more people appreciate its beauty.

Zhou comes from a family of carpenters and is committed to safeguarding this intangible cultural legacy. When confronted with the problem of constructing 27,000 precise components, he concedes that each piece must be accurately made, and it requires continual adjustments to make sure that all components are tightly fitted, seamless and stable, due to the properties of different woods.

But these hurdles just fuel his obsession. He appreciates problem-solving, which is a process that every sunmao inheritor must go through.

Zhou is also an aesthetic education teacher. He has been teaching sunmao courses at the Shanghai Citizen Art Night School for two years.

Speaking of his teaching work, he beams with pride. Community aes-thetic education provides a broad platform for preserving intangible heritage.

“The curiosity and eagerness to learn I see in every student gives me hope for the future of traditional culture,” Zhou said.